17th century ship Vasa Stockholm Sweden
grief

Photos and a Good Layer of Guilt

I posted exactly one photo from a once-in-a-lifetime trip I took last September.

My dear friend whisked me away to Sweden, Stockholm specifically, and we had a fabulous time.

So much about our trip was aesthetic and Scandi and Instagram-worthy.

But the only photo I shared was one on the last full day of our trip, which happened to be my father’s last day on earth.

And while I subjected my husband and girls to a screen-cast slideshow squeezed on our couch when I was back stateside, the photos sat largely untouched for the last year.

Now I’ve been known to live in an entirely different timeline in scrap-landia. According to our family scrapbook, it is circa 2012.

But this was somehow different.

Somehow, and largely subconsciously, I’d covered those photos in a layer of guilt.

Guilt at not being by his bedside, guilt at not being there for my mother, guilt at not being there when he breathed his last.

Guilt at enjoying this life-expanding event while an equally heartbreaking one was occurring.

When the one-year anniversary of both came round, I wanted to honor both – but it still felt like throwing celebration in the face of sadness.

When I finally sorted through the hundreds of photos this week, it didn’t occur to me until I discussed it with my therapist the next day, that the process was actually part of grieving my father. I had been thinking of him all that week already. He had been with me in so many spiritual and even metaphysical ways. And while our trip had been planned well before he even fell ill, God had chosen his final time even sooner than that.

I didn’t choose to not be with my father. He would’ve chosen to savor each and every moment with me had I been able to come home and tell them all to him.

In so many synchronistic ways, we sailed together that week.

And what is grief – and life – but beauty and pain together.

Photo Info

17th-century warship Vasa at the Vasa Museum located on the island of Djurgården in Stockholm, Jennifer Butler Basile, September 21, 2025

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Saab sidewalk Stockholm Sweden
Automobiles, grief

Not a Standard Transmission

When I was in kindergarten, my mother had a metallic blue Mustang. I have a clear memory of a thunderstorm with rain so torrential we had to pull into a parking lot on the side of the road, listening to “Gloria” by Laura Branigan until it passed. I cried when she and my father told me they were selling it, shyly offering up the cap of the same shiny shade of touch-up paint to the man who’d come to buy it. I was aghast when he intimated that he didn’t need it because he was thinking of changing the color.

When I learned to drive it was on a 1987 Ford Escort. Ironically, though it was my mother I’d watched expertly move through the gears in that shimmery blue mustang as a young girl, thinking she was psychic when she’d shift into first seconds before the light turned green (not knowing she was watching the edge of the light one quarter turn away), it was my father who bucked and shimmied beside me as I worked to unlock the nuances of clutch/gas, left/right mysteries.

That car became the key to many adventures, even before it officially became mine. I’d already bought my first brand new car in my own name when we sold to it a young guy with whom my dad worked. I tried to explain how my dad and I had maintained it over the years, changing the oil religiously, rotating the tires ourselves. As with the Mustang buyer, this guy was not that into it. Even less so in fact. He was planning on using it as a beater to get back and forth to work. And its age and actual metal frame and shell made it just that. Of course I’d attached much more than old Coast Guard and Annie’s Organic bumper stickers.

The very act of preparing a car for sale stirs a sorrow in me. Removing the bits of detritus that made the car yours seems to suck the soul right out of it. Seems sacrilegious. You almost want someone else to come and do it so you don’t have to see it.

Whenever we’ve left one of our cars on the lot after a trade-in, I get a feeling similar to the one I had leaving my stuffed animals alone while going off to school. You know, a bit guilty so you sit them up nice so they won’t be angry at you all day. Don’t forget rotating them so they don’t think you’ve got a new favorite.

I’ve written extensively about my love of the new car that replaced the first: my Saab. The psychological heft of that one. . . Yeesh. I won’t get into it here. Just note: Dad got me into them and it was a standard.

Now we are getting rid of the car that replaced the Saab. Adding one more layer to the separation. I was pregnant with my youngest when we picked this one out. I remember squeezing my swollen belly into it as George the salesman showed us how to synch our smartphones to the touchscreen system. That baby’s now nearly ten.

The Subie was my husband’s daily commuter and he had gotten sick of shifting while stuck in traffic. I asked whether he could take the minivan to work yesterday so I could have one last day driving it.

We got the standard transmission because of me. I was the one who’d been driving stick since I first learned to drive. My mom made it look like she was shifting a race car. My dad said it was a skill that would allow me to drive any vehicle for the rest of my life.

And now we are replacing the Subie with a car that does not have a manual transmission. As I drove to and from my errands yesterday, instead of the joy I expected to feel in the final throes of passion, I felt sadness: that cars don’t come through with standards anymore, that something as concrete and dependable as metal gears interlocking and propelling steel and self forward is no longer a permanent guarantee, that I may forget how to shift by the time we own a standard again.

That a skill I thought I’d have forever, given to me by my dad, is now in danger of going – just like he did.

And so, it’s much more than getting rid of a car.

* photo courtesy Danielle Ringer

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Living

Shades of the Past

The news of my junior-high-turned-life-long-friend’s father’s death shocked me. It shook me for its suddeness and the blow it served to my friend, his brother, and mother. It also pulled me back into a fold I hadn’t been part of for quite some time.

This family gave me first, the friendship of its younger son, then older brother, deepened by the quasi-adopted status of daughter in a family of boys. Through a childhood bond of the older brother and the wheeling and dealing of the younger, it gave me my husband. When our band of merry men wasn’t tearing into the cul-de-sac in front of their house, we were storming their vacation cottage in the mountains. We ate, drank mai tais the old way, and managed to meet up around the country and world as life took us on its various roads.

But year spooled into year, and suddenly it had been over a decade since I’d visited their home. I didn’t think it would affect me until our car slid into line with the others at the curb, much like it did when we’d jockey for position years ago. Stepping over the threshold from the breezeway to the kitchen, a wave of emotion rolled over me. The same wallpaper, the same linoleum, the same smell. The books, the airshow posters, the tea bags and coffee press. The fresh air billowing in the bathroom window overlooking the backyard. The same futon where three of us had crammed to watch German subtitled movies for English class.

We gathered around the table on the patio and drank the sweet, slushy lemonade of our childhood with a splash of rum from Pappy’s reserve. I don’t think I’d realized how much a place can take on a life of its own. But really, what this place gave me is a better appreciation for the people and times that made it so special.

Andrew Apuya

Andrew Apuya

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