Depression, Survival, Weekend Write-Off

A Man Called Ove

We all know a man called Ove – or better yet, exactly like Ove.

A crotchety old man. The neighborhood watchdog policing persnickety policies about which no one else cares. A man who never has a nice word to say, who always has something about which to complain.

He exists in every family or neighborhood. In archetypes and novels. Small screen and silver.

He excels in Fredrik Backman’s A Man Called Ove.a-man-called-ove-9781476738024_lg

A third person narrative and clever titles for each chapter continually referring to the main character as ‘a man called Ove . . .’ (backs up with a trailer – as in chapter three) establish a sort of psychic distance between Ove and the reader. We see him as the world does. The archetypal cranky old man.

But just as many of us secretly yearn for the day and chronological age at which we can tell the world around us how we really feel, such outrageously brusque behavior almost endears Ove to the reader. At the very least, it entertains us. His dysfunctional interactions with his neighbors and clerks at the Apple store made me laugh out loud more than once. The fact that Ove is resolutely dedicated to his lifetime car of choice, Saab, brought me – as a Saab driver myself – even more joy.

While the chapter titles are structured the same throughout the book, readers slowly move closer to Ove and his motivation, the reasons for his dysfunction and underlying sadness. He wants to be left alone. He purposely pushes people away because the one person in the world who made him live – his wife – is gone.

“If anyone had asked, he would have told them that he never lived before he met her. And not after either.”

And so now, “Ove just wants to die in peace.” He wants to meet his wife on the other side and will try whatever means it takes to get there.

What I appreciate about this novel is the empathetic way it deals with depression and attempted suicide. Ove, while archetypal in other ways, does not fit the stereotypical profile of a suicidal person. Backman’s portrayal shows that depression can be situational – and elicit feelings of such dire circumstances that the only option left seems to be suicide.

However, Backman’s novel also shows the amazing strength and redemptive powers of love. It may be love that causes Ove to yearn to be reunited with his departed wife, but it is also the long reach of her love that reminds him to be a better man. It is through the initially annoying love and attention of his neighbors that Ove finds a reason to live. It is the hard fought and won love of a feline companion that offers him solace.

There is love in a riotously abstract portrait blasted in color by a three year-old. In a hand to hold. A skill transferred. A deed proffered. A meal shared. There is love in a sense of belonging, community.

A Man Called Ove reminds us all what it means to truly live and love – and I loved every minute of it.


In fact, I loved Ove so much, the next few ‘Weekend Write-Off’ entries will be dedicated to favorite excerpts of the novel, which is just full of gems.  Ove and I will see you next Friday!

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Weekend Write-Off, Writing

The Higher Power of Lucky

“Lucky stole her technique of keeping going from the anonymous twelve-step people, whose slogan is ‘One Day at a Time.’ If you think of undoing a big habit day after day for the entire rest of your life, you can’t bear it because it’s too overwhelming and hard, so you give up. But if you think only of getting through this one day, and don’t worry about later, you can do it. Lucky used the ‘One Day at a Time’ idea by putting one foot in front of the other without thinking about what would happen later. She knew she could do one step and then another step and then another step and then another step as long as she thought ‘One Step at a Time.’”

Life advice from a young adult novel. How profound.lucky

So profound is ten year-old Lucky’s voice in Susan Patron’s The Higher Power of Lucky, that I almost didn’t believe it – except that she speaks with such authority. She also has been through an inordinate amount of struggle and strife for a child her age, which has given her wisdom while toughening her up.

The title, ethereal cover with illustrations by Matt Phelan, and book jacket summary drew me to this book. I’m always looking for quality literature for young people, but all that package material spoke to the adult in me who is still searching. If a ten year-old could find her higher power, then surely I could. As with anyone’s search – no matter what age she is – Lucky’s is filled with twists and turns, mysterious signs, with the only real answer being a feeling. But it sometimes is the simplest ideas, like the passage above, that get us through. And listening to and allowing our feelings to come through – as Lucky ultimately did with Brigitte – often is the ultimate goal.

The prose in The Higher Power of Lucky is stark, but gorgeous; as raw and beautiful as the desert setting of Hard Pan. It is in the quiet moments of Lucky’s days, the tone of which reminds me very much of Missing May by Cynthia Rylant, that such images sneak up on the reader. After Lucky, Miles, and HMS Beagle – who is not a beagle – finish their ramshackle dinner outside:

“The feel of the air, soft and nearly still, was something you usually wouldn’t even notice. But now, after the dust storm, it felt like a kindness, a special thoughtful anonymous gift.”

Susan Patron has given readers such a gift: a quiet, thoughtful piece of literature that reminds us that focusing on what’s right in front of us can reveal our higher power more readily than any grand adventure.

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Weekend Write-Off

if you want to see a whale

Focus – to the exclusion of everything else.

Being able to tune out any distractions or discouragements apart from the final goal can be accomplishment gold. But if it also means missing out on beautiful sights or moments along the way, the brilliant glow can become a burnished pallor.

This is the risk the main character takes in Julie Fogliano and Erin E. Stead’s picture book, if you want to see a whale.

On his journey to see the whale, the young boy, with his dog and a bird as companions, passes roses and pirate ships, pelicans and inch worms. He ignores them:

because roses don’t want you watching whales
or waiting for
or wondering about
things that are not pink
and things that are not sweet
and things that are not roses.

If the boy did not ignore the roses, he might have missed the whale that he finally finds on the last page. But he misses the turtle amidst the clouds, a comfy and cozy nap, the lighthouse atop the headland shaped like a whale.

Yet even with all this sacrifice, the boy still almost misses the whale. On the second to last page, he is so busy staring into the sea, he doesn’t see the whale pass right below his rowboat. Ultimately, it is the whale who breaks the surface and peers into the boy’s face.

While preparation and staying the course are essential to achieving goals, there is a certain element of chance that factors into the final result. And if we exclude all way points and detours, a failure at the termination point will be that much more crushing.

I suspect that Fogliano and Stead meant for this story to be a triumphant tale of setting one’s mind to something and seeing it through. And it is. There is a lot to be said for persistence and patience; for courage and consistency.

There is also the flip-side.

It makes me sad to see all the missed opportunities along the way for this young boy. It makes my soul ache for my own missed opportunities throughout any given day. The simple pleasures, invaluable gifts of the here and now. When goal-setting becomes tunnel-vision, mindfulness cannot occur.

If you want to see a whale, it’s pretty amazing. Just don’t miss out on what the waves wash up on the way.

Just one of the gorgeous illustrations.

Just one of the gorgeous illustrations.

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Awards, Weekend Write-Off, Writing

2014 in review

Thanks to Wordpress for this informative and humbling report on the chopping of potatoes this year.  There is work to be done – but only on my part.  You, dear readers, have always been the bomb!

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 9,400 times in 2014. If it were a concert at Sydney Opera House, it would take about 3 sold-out performances for that many people to see it.

Click here to see the complete report.

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Weekend Write-Off, Writing

Always in Season

But I am sure I have always thought of Christmastime, when it has come around — apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that — as a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow passengers to the grave, and not another race of creatures bound on other journeys.  And therefore, Uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!

— from A Christmas Carol by Charles Dickens

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Weekend Write-Off

Just What I Needed

This article offers sound encouragement for anyone working toward certain goals.  It particularly spoke to my recent musings on writing.  Thank you to the intuitive soul – who can still intuit over the miles – who sent it to me.

Read – and write – on!

What I Do When it Feels Like My Work Isn’t Good Enough by James Clear

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Weekend Write-Off, Writing

What Say You?

Duotrope or Writer’s Market?

When searching for markets for your writing pieces, which of these listings do you prefer?  Is one more user-friendly or  has offered you resources where you’ve found more success?

I have more experience with Writer’s Market, but Duotrope has come highly recommended as well.

Currently, I am searching for markets for literary short fiction/flash fiction.

 

Please share your thoughts/ideas!

Happy Weekend Write-off!

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